The band has played a few decent gigs since the debacle that was Pappacito's. We're still figuring out how to move ourselves in a more fun direction, since the stuff we've been playing is getting kind of stale for all of us.
I've actually grown tired of making the set lists, so I'm going to ask the other fellas if they'll make them for a while.
I finally tweaked my Variax so that it's not too loud and sounds more authentic as a 12-string. It really helps on the two acoustic songs we do, since both were originally played with 12-string acoustics.
I definitely need to find an outlet for playing guitar soon, though. It might mean that the Acoustical Schizo (www.myspace.com/acousticalschizo) comes to life. We're so absurdly booked for the summer that I think I'd get it together just in time to book some dates in August and September. I might see if Dave can hook me up to play a few solo acoustic shows at Latitude 30, just to warm up the material in front of an audience. I'm having a hard time finding regular acoustic venues.
We'll see what happens. This coming weekend we're doing a sonic overhaul to Roman Holiday's PA - organizing it, getting really good monitor mixes without feedback, and basically putting together a system to make load-in and load-out easier (including labeling everything). I find that stuff fun, so that's cool.
We have received regular bookings for the summer at a few places, including Hayashi Sushi Grille in Cedar Park and The Tilted Kilt in Round Rock, so we have some public shows - yay!
I do dig the private parties a little more, though, most of the time, because the load-ins are usually easier and the pay is pretty much double on average.
No gig this weekend, but we're at a new venue (for us) in Pflugerville called "Hanover's" - they have their own house PA and pay a sound dude (I think) so we should be in good shape playing there. I don't anticipate a return gig there, because I don't trust all our peeps to show up, but we're going to have as much fun with it as possible.
Until the next time...
Monday, May 18, 2009
Wednesday, April 29, 2009
Feeling a teeny bit better about things
So a few days ago I posted a big, whiny "I think I'm burned out" blog, and it was precisely true to my emotions that day. I still sort of feel burned out, but I think that has more to do with how constrained our playlist feels than anything. I need to play some more new songs, and the ones we've been adding just haven't been dazzling me. "Walk This Way" sounded pretty weak the one time we tried to play it (who knows, it could get better), and we haven't even really tried the other two ("We're Not Gonna Take It" and "Livin' On A Prayer"). Plus we're learning "La Bamba" and "Tequila" for our Cinco De Mayo gig. How original. Any-way...
I did spend some time in the studio and recorded a little demo of a previously unrecorded old song of mine. It's super rough, but I figured I'd share it:
She's Got It All - Stream
She's Got It All - Download mp3
She's Got It All - Info about the song
I really need to get back to writing. I think that will solve a lot of my "issues".
I was also considering asking my friend mAndy (she likes to spell it that way) if she'd be interested in starting a little fun duo thing. I don't know if she has the time or interest, but I'm fairly certain she doesn't read my blog, so I can talk about it here before I ask.
She's a really talented singer who can play a bunch of other instruments. Along with me, I think we have the voices and arms to be able to cover a lot of sonic ground and still keep it really fun for the crowd. I actually asked her if she'd want to play with the full band a while back, but she thought that might be bad (too many conflicts with her band UNB), and before that, we were going to try an acoustic thing that never really panned out.
Regardless, my wife's been pushing me to ask her to do something, since we both (me and mAndy) will play pretty much any song and I think our voices will work well together.
We'll see what comes of it. She might not be interested, or might be too busy, or something else, but it never hurts to ask.
I think I'm going to start figuring out which venues have acoustic acts and call them to book some shows as a solo. If stuff works out with mAndy, maybe I can convince them to pay a little more for a duo.
Come see me play these next few weeks - 5/1 at Hayashi in Cedar Park (on 1431), 5/5 at Pappasito's (on I-35, I think), and 5/8 at The Tilted Kilt in Round Rock.
I did spend some time in the studio and recorded a little demo of a previously unrecorded old song of mine. It's super rough, but I figured I'd share it:
She's Got It All - Stream
She's Got It All - Download mp3
She's Got It All - Info about the song
I really need to get back to writing. I think that will solve a lot of my "issues".
I was also considering asking my friend mAndy (she likes to spell it that way) if she'd be interested in starting a little fun duo thing. I don't know if she has the time or interest, but I'm fairly certain she doesn't read my blog, so I can talk about it here before I ask.
She's a really talented singer who can play a bunch of other instruments. Along with me, I think we have the voices and arms to be able to cover a lot of sonic ground and still keep it really fun for the crowd. I actually asked her if she'd want to play with the full band a while back, but she thought that might be bad (too many conflicts with her band UNB), and before that, we were going to try an acoustic thing that never really panned out.
Regardless, my wife's been pushing me to ask her to do something, since we both (me and mAndy) will play pretty much any song and I think our voices will work well together.
We'll see what comes of it. She might not be interested, or might be too busy, or something else, but it never hurts to ask.
I think I'm going to start figuring out which venues have acoustic acts and call them to book some shows as a solo. If stuff works out with mAndy, maybe I can convince them to pay a little more for a duo.
Come see me play these next few weeks - 5/1 at Hayashi in Cedar Park (on 1431), 5/5 at Pappasito's (on I-35, I think), and 5/8 at The Tilted Kilt in Round Rock.
Tuesday, April 21, 2009
Burnout
I think it's finally happened. I'm actually burned out.
I can do music, but I feel particularly uninspired these days. No writing, no creating, no real connection to anything I hear. I am even wondering if it's just a phase, or if I've crossed over into "go through the motions"-land.
I hope not. I play in a good band, with two gentlemen I really like. I am always praised for my singing and playing (probably because no matter how I'm feeling, I act as though it's the last show I'm ever going to get to play). We just played an awesome wedding at the Trois Estate north of Fredericksburg. All good shit with music. New venues, new opportunities, new songs...and just a blah feeling from me about all of it.
I think it might just come down to this: I feel constrained.
Constrained by the fact that Ned isn't a walking encyclopedia of songs (not even the songs we've played in the past because of his lack of memory).
Constrained by the fact that I have to drive all the way up to Round Rock to practice (which makes them impractical).
Constrained by my inability to manage time well enough to feel like I'm forging the close relationships with my wife and kids I want while also satisfying that artist in me who is crying out to create something, internalizing all that frustration and pain and not turning it into something productive.
Constrained by not having someone who has my same weird, diverse-but-still-sort-of-mainstream feelings about music or my same desire to create both the perfect Beatles-esque pop song, a ripping, angry punk song, a thrashy metal tune, and cutting the funkiest, most dirty groove.
I feel like I need a musical counterpart. As much as I've found a lot of musicians I admire and would collaborate with any time, I really don't have one. I don't know anyone who has the same affection for Rush, Van Halen, Green Day, Zappa, Sloan, Jellyfish, The Meters, Chicago, Billy Joel, Anthrax, Living Colour, Led Zeppelin, Extreme, King's X, The Beatles, The Beach Boys, Grand Funk, Dave Brubeck, Motown, Stax, Operation Ivy, Reel Big Fish, Katy Perry, Butch Walker, early Wilco...you get the picture.
I have a feeling that unless something just happens, I'm not going to have an opportunity to ever really find one, because I just feel I can't invest the time in that sort of selfish pursuit. I feel it's unfair to my family.
So I think this constraint is more internal than external. It has everything to do with how I've lived my life. The endless conflict between the worldview of the obsessive artist - the loner who needs to concentrate to create - and the responsible member of society, making a contribution, dutiful to their responsibilities, not chasing their fanciful dreams.
Okay, now I'm going to cry - this cuts too close to the bone for me. This was meant as more of a "thinking it out as you write" thing, so of course I had to travel through a range of feelings to reach any sort of conclusions.
And here's my conclusion/plan for a resolution:
-I'm going to start to allow myself a little time each night to focus solely on musical pursuits. I'll do it when the children and wife have gone to sleep so as to not take away from potential time with them.
-I'll fight the feelings of burnout by finding new ways to enjoy what I'm doing (maybe play around with settings or something).
-I'm going to really focus on my music - improving what I've got and creating new music and hopefully finding some like-minded people here in Austin to play it with me. Hopefully the drum throne in this new endeavor (which will include me on vocals and guitar) will be occupied by Greg from Roman Holiday - he's got such a healthy attitude about music I still can't believe we ever considered anyone else after Rob left.
And if nothing comes of any of it, here's hoping it doesn't turn me into a cynical sourpuss who wants to sell all his gear and quit because he's never going to have the time to do it the way he wants to do it.
Love and funk,
TMS
I can do music, but I feel particularly uninspired these days. No writing, no creating, no real connection to anything I hear. I am even wondering if it's just a phase, or if I've crossed over into "go through the motions"-land.
I hope not. I play in a good band, with two gentlemen I really like. I am always praised for my singing and playing (probably because no matter how I'm feeling, I act as though it's the last show I'm ever going to get to play). We just played an awesome wedding at the Trois Estate north of Fredericksburg. All good shit with music. New venues, new opportunities, new songs...and just a blah feeling from me about all of it.
I think it might just come down to this: I feel constrained.
Constrained by the fact that Ned isn't a walking encyclopedia of songs (not even the songs we've played in the past because of his lack of memory).
Constrained by the fact that I have to drive all the way up to Round Rock to practice (which makes them impractical).
Constrained by my inability to manage time well enough to feel like I'm forging the close relationships with my wife and kids I want while also satisfying that artist in me who is crying out to create something, internalizing all that frustration and pain and not turning it into something productive.
Constrained by not having someone who has my same weird, diverse-but-still-sort-of-mainstream feelings about music or my same desire to create both the perfect Beatles-esque pop song, a ripping, angry punk song, a thrashy metal tune, and cutting the funkiest, most dirty groove.
I feel like I need a musical counterpart. As much as I've found a lot of musicians I admire and would collaborate with any time, I really don't have one. I don't know anyone who has the same affection for Rush, Van Halen, Green Day, Zappa, Sloan, Jellyfish, The Meters, Chicago, Billy Joel, Anthrax, Living Colour, Led Zeppelin, Extreme, King's X, The Beatles, The Beach Boys, Grand Funk, Dave Brubeck, Motown, Stax, Operation Ivy, Reel Big Fish, Katy Perry, Butch Walker, early Wilco...you get the picture.
I have a feeling that unless something just happens, I'm not going to have an opportunity to ever really find one, because I just feel I can't invest the time in that sort of selfish pursuit. I feel it's unfair to my family.
So I think this constraint is more internal than external. It has everything to do with how I've lived my life. The endless conflict between the worldview of the obsessive artist - the loner who needs to concentrate to create - and the responsible member of society, making a contribution, dutiful to their responsibilities, not chasing their fanciful dreams.
Okay, now I'm going to cry - this cuts too close to the bone for me. This was meant as more of a "thinking it out as you write" thing, so of course I had to travel through a range of feelings to reach any sort of conclusions.
And here's my conclusion/plan for a resolution:
-I'm going to start to allow myself a little time each night to focus solely on musical pursuits. I'll do it when the children and wife have gone to sleep so as to not take away from potential time with them.
-I'll fight the feelings of burnout by finding new ways to enjoy what I'm doing (maybe play around with settings or something).
-I'm going to really focus on my music - improving what I've got and creating new music and hopefully finding some like-minded people here in Austin to play it with me. Hopefully the drum throne in this new endeavor (which will include me on vocals and guitar) will be occupied by Greg from Roman Holiday - he's got such a healthy attitude about music I still can't believe we ever considered anyone else after Rob left.
And if nothing comes of any of it, here's hoping it doesn't turn me into a cynical sourpuss who wants to sell all his gear and quit because he's never going to have the time to do it the way he wants to do it.
Love and funk,
TMS
Saturday, February 21, 2009
I recorded something!
I spent a few hours in the studio tonight...this is the result, a song I've "cleverly" titled "Miner Fusion":
Download it
Stream it
More information about the tune (the nerdy info) can be found here.
I think it sounds pretty cool, even though it's just one of my instrumental experiments.
Last week I also wrote and recorded a song about a son's love for his dad called "My Old Man", but I haven't quite finished it yet, so I'm not posting it.
You can always find my latest music at www.musicalschizo.com
Download it
Stream it
More information about the tune (the nerdy info) can be found here.
I think it sounds pretty cool, even though it's just one of my instrumental experiments.
Last week I also wrote and recorded a song about a son's love for his dad called "My Old Man", but I haven't quite finished it yet, so I'm not posting it.
You can always find my latest music at www.musicalschizo.com
Tuesday, February 3, 2009
Gut check
I've heard this phrase at other times, mostly in the context of sports, but I've really done a musical "gut check" and decided that there are ways that I do my job as a singer/bassist that I view as wrong. It's always a challenge to be an instrumentalist and front a band, I think moreso on bass, personally, but in all cases it can be a real challenge to balance getting everything right with putting on a good show.
For this reason, I've always carried a meticulously-kept lyric book and a nondescript-but-tough music stand to my shows. I have an incredible tendency toward brain farts when I'm concentrating so hard on multiple things at a time.
The truth is, though, I do know just about everything that's in the book, and I rarely need to look at it. I actually keep the book in line with my bass' neck so that it just looks like I'm looking at my hand when I'm eyeing the lyric sheets.
I also like being able to cover songs that I haven't done enough times to have memorized completely. It really expands the repertoire without the investment of too much time in rehearsal for things that aren't a regular part of the show.
There are a lot of musician Nazis out there who are against music stands in all circumstances - that you should have everything memorized. Most of them are not singers, and most of them do not have to know over 100 songs.
Even seasoned pros who wrote their own songs (like Michael Stipe, for instance) will use lyric sheets from time to time to get themselves through older songs they don't do all the time. And that's usually bands who in their entire history have around 100 songs. I've learned over 400 songs for the different bands I've played in, not all on vocals, but it amazes me how easy it is for me to remember the intricate musical details of a song even when just about all the lyrics escape me.
And then there are songs that I played for a short period of time that I've internalized so well that I can play them without any assistance.
So (sorry for the roundabout way I've arrived at this), I've performed a musical gut check. I CAN know everything and not need a sheet to help me. I AM capable of it.
I just need to make it happen, and it shouldn't be all that hard. It's just a matter of playing the songs enough times for the arrangement and lyrics and my bass parts to merge together to reinforce each other as one solid memory.
This is why I can still do "Surrender" any time I want, even though we only played that for about 6 months back in 1999-2000. Or why I was able to get through "Centerfold" with no lyrics at practice one time. Simply experience. I put in the time with those songs, and they were songs I already loved.
I can do that with everything on our list, and I will, and I think it's time to take the band (Roman Holiday) in the direction of putting songs together as part of a bunch of mini-shows - rehearse transitions and ways to polish what is already a pretty damn good product. If we do this successfully, then we can move to bringing in some more elements and expanding our sound.
Thanks for your patience.
For this reason, I've always carried a meticulously-kept lyric book and a nondescript-but-tough music stand to my shows. I have an incredible tendency toward brain farts when I'm concentrating so hard on multiple things at a time.
The truth is, though, I do know just about everything that's in the book, and I rarely need to look at it. I actually keep the book in line with my bass' neck so that it just looks like I'm looking at my hand when I'm eyeing the lyric sheets.
I also like being able to cover songs that I haven't done enough times to have memorized completely. It really expands the repertoire without the investment of too much time in rehearsal for things that aren't a regular part of the show.
There are a lot of musician Nazis out there who are against music stands in all circumstances - that you should have everything memorized. Most of them are not singers, and most of them do not have to know over 100 songs.
Even seasoned pros who wrote their own songs (like Michael Stipe, for instance) will use lyric sheets from time to time to get themselves through older songs they don't do all the time. And that's usually bands who in their entire history have around 100 songs. I've learned over 400 songs for the different bands I've played in, not all on vocals, but it amazes me how easy it is for me to remember the intricate musical details of a song even when just about all the lyrics escape me.
And then there are songs that I played for a short period of time that I've internalized so well that I can play them without any assistance.
So (sorry for the roundabout way I've arrived at this), I've performed a musical gut check. I CAN know everything and not need a sheet to help me. I AM capable of it.
I just need to make it happen, and it shouldn't be all that hard. It's just a matter of playing the songs enough times for the arrangement and lyrics and my bass parts to merge together to reinforce each other as one solid memory.
This is why I can still do "Surrender" any time I want, even though we only played that for about 6 months back in 1999-2000. Or why I was able to get through "Centerfold" with no lyrics at practice one time. Simply experience. I put in the time with those songs, and they were songs I already loved.
I can do that with everything on our list, and I will, and I think it's time to take the band (Roman Holiday) in the direction of putting songs together as part of a bunch of mini-shows - rehearse transitions and ways to polish what is already a pretty damn good product. If we do this successfully, then we can move to bringing in some more elements and expanding our sound.
Thanks for your patience.
Wednesday, January 21, 2009
Cedar Street
Played there Sunday with the Roman Holiday fellas.
Friends David and Caleb from The Empire came out (along with Dave's cool roomie). They hung around for about one set...it was the 80s pop/80s hair band set. No idea what they thought - still haven't heard the post-mortem from Dave.
Sound was great - big thanks to Gregg. He was very complimentary about my skills as a singer and bassist. I'm such a good faker.
I appreciated the kind words...ego boosts are nice. Sennheiser Wireless was excellent...I've got to start using that more often. Might be time to pick up a wireless headset mic just to be more active and crazy on stage. It might be too "Garth Brooks", though. Headset mics are not very rock. Ah, well.
Thinking about doing something else so I can play guitar...I don't know what it will be...but we shall see. I like bass, but it's time to play guitar...even if it's acoustic.
I will make that mention in every blog from now until it happens...about the acoustic thing. I'm so pathetic. Rock on!
Friends David and Caleb from The Empire came out (along with Dave's cool roomie). They hung around for about one set...it was the 80s pop/80s hair band set. No idea what they thought - still haven't heard the post-mortem from Dave.
Sound was great - big thanks to Gregg. He was very complimentary about my skills as a singer and bassist. I'm such a good faker.
I appreciated the kind words...ego boosts are nice. Sennheiser Wireless was excellent...I've got to start using that more often. Might be time to pick up a wireless headset mic just to be more active and crazy on stage. It might be too "Garth Brooks", though. Headset mics are not very rock. Ah, well.
Thinking about doing something else so I can play guitar...I don't know what it will be...but we shall see. I like bass, but it's time to play guitar...even if it's acoustic.
I will make that mention in every blog from now until it happens...about the acoustic thing. I'm so pathetic. Rock on!
Thursday, January 15, 2009
It's been interesting...
As Ned has built the light show for Roman Holiday, we're really starting to look as professional as we now sound. Don't believe me? Listen here: Roman Holiday's new demo reel.
We shot video and audio at our La Zona Rosa private party back in November (Happy Birthday to John), and the audio came out great, but the video looks kind of lame. I'm going to go through it and find some good clips to use - I'll probably edit the video to match the demo reel as it is and post that to Vimeo or YouTube or something.
Anyway, the band's back at Cedar Street for the first time in over a year this coming Sunday, and though we're not looking forward to the meager payday (we usually make a lot more money), we're hoping they realize how good we actually are and give us the chance to play on better nights and pay us better. It's a fun venue when the weather is nice, and the people who work there are great.
The calendar's looking kind of empty, unfortunately, but we've really been fortunate and we look forward to any surprise bookings we may get (because they seem to happen more often than we expect).
I'm a broken record, but I'm really excited about the prospect of finally getting my acoustic thing together. I have a song list (it's HUGE) and a song book so that I can play requests and stuff. I'll probably print up complete song lists for people to peruse at the show in case they want to throw in some money and make a request. Now I just need to find some good venues to get it going. I'm even going to incorporate a bunch of the Roman Holiday songs acoustic-style for something different, which will make the list even longer! Look out for The Acoustical Schizo, coming to a restaurant or coffee house near you.
I haven't written anything since last May, and that kind of makes me sad. I haven't really been all that inspired, though, so it's not a shock. I've just been enjoying life and keeping busy with my wife, kids, job, and band.
I'm going to make a concerted effort to improve my understanding of theory and relative pitch this year, and really push to make myself an excellent musician (instead of one that sort of skates along on his natural talent).
I hope you all had wonderful holidays and you have a happy and profitable 2009!
We shot video and audio at our La Zona Rosa private party back in November (Happy Birthday to John), and the audio came out great, but the video looks kind of lame. I'm going to go through it and find some good clips to use - I'll probably edit the video to match the demo reel as it is and post that to Vimeo or YouTube or something.
Anyway, the band's back at Cedar Street for the first time in over a year this coming Sunday, and though we're not looking forward to the meager payday (we usually make a lot more money), we're hoping they realize how good we actually are and give us the chance to play on better nights and pay us better. It's a fun venue when the weather is nice, and the people who work there are great.
The calendar's looking kind of empty, unfortunately, but we've really been fortunate and we look forward to any surprise bookings we may get (because they seem to happen more often than we expect).
I'm a broken record, but I'm really excited about the prospect of finally getting my acoustic thing together. I have a song list (it's HUGE) and a song book so that I can play requests and stuff. I'll probably print up complete song lists for people to peruse at the show in case they want to throw in some money and make a request. Now I just need to find some good venues to get it going. I'm even going to incorporate a bunch of the Roman Holiday songs acoustic-style for something different, which will make the list even longer! Look out for The Acoustical Schizo, coming to a restaurant or coffee house near you.
I haven't written anything since last May, and that kind of makes me sad. I haven't really been all that inspired, though, so it's not a shock. I've just been enjoying life and keeping busy with my wife, kids, job, and band.
I'm going to make a concerted effort to improve my understanding of theory and relative pitch this year, and really push to make myself an excellent musician (instead of one that sort of skates along on his natural talent).
I hope you all had wonderful holidays and you have a happy and profitable 2009!
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