I find inspiration in the weirdest places - it could be a touching scene from a movie, the look on a child's face, a fruit display in a grocery store...it really doesn't matter.
The challenge I have is taking that inspiration and turning it into something before I destroy myself with self-editing.
Too many songwriters participate in the folly of denying their gift.
Even if what's coming out is crap, you should let it out. There is time later for editing and fixing things - turning them into something great. Let the inspiration take you to a place that allows you to create - don't crap all over an idea before you allow it to come to fruition, or you will end up dazzlingly unsatisfied with your ability to create, and with a healthy helping of writer's block, because you've gotten into a pattern of intentionally blocking inspiration because you're judging it before its job is done.
Being open to everything gives you far more material from which you can create a masterpiece (at least for you - we can't all be Lennon and McCartney or Randy Newman).
Personally, I've been working past my inherent need to self-edit when it comes to songwriting, and it's freed me up a lot. Getting ideas out is much easier when you aren't artistically constipated by your own fears that it "won't be cool enough" or "won't be good enough".
Considering how happy I've been with my wife and family, it's been hard to write things that are emotionally raw, because they feel sort of dishonest (as I'm not really sad) - but we all have things in our lives that drive us to create. And we all have topics that we find easier to write about than others. Heartbreak is an easy and obvious one. Concern and pain for someone you love is another less obvious choice, but that often comes across as preachy. Writing about a subject works well, but only if you're a good storyteller or good at description.
Basically it all comes down to allowing something to move you to the point that it creates musical inspiration, whether it be a cool chord progression (I've always been fond of the motion and tension of C#m-A-E-G#7), some assholes you know (see the song "Miserable Bastard"), certain world leaders, or just your favorite bass or guitar.
Don't kill inspiration before it has a chance to take bloom. That's my songwriting tip of the week.
TMS
Monday, May 7, 2007
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